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Histoire de M. Vieux Bois
''Histoire de M. Vieux Bois'', published in English as ''The Adventures of Obadiah Oldbuck'', and also known as ''Les amours de Mr. Vieux Bois'' or simply ''Monsieur Vieuxbois'', is a 19th-century publication written and illustrated by the Swiss caricaturist Rodolphe Töpffer. Published first in Europe in 1837 as ''Histoire de M. Vieux Bois'', and then in the United States as a newspaper supplement, ''The Adventures of Mr. Obadiah Oldbuck,''〔(''The Adventures of Mr. Obadiah Oldbuck'' ) at the Dartmouth College library〕 it is sometimes said to be the first comic book.〔(''The Adventures of Mr. Obadiah Oldbuck'' ) at Don Markstein's Toonopedia. (Archived ) from the original on March 13, 2012.〕〔Beerbohm, Robert; Wheeler, Doug; and De Sa, Leonardo. "Topffer in America" (''Comic Art'' #3, 2003).〕
==Format==
The format consists of sequential pictures with captions, aka "text comics", rather than utilizing the staple of word-balloons, a convention that would later be developed in newspaper comic strips. In ''Understanding Comics'', comics theorist Scott McCloud says Töpffer's work is in many ways "the father of the modern comic." McCloud emphasizes Töpffer's use of "cartooning and panel borders" along with "the first interdependent combination of words and pictures seen in Europe." 〔McCloud, Scott, ''Understanding Comics: The Invisible Art''. New York: Harper Collins & Kitchen Sink Press. 1994. ISBN 0-06-097625-X, pg 17.〕
Töpffer described comics as a medium appealing particularly to children and the lower classes, and this is evident in the style of the work. It is notable that the story was never intended for publication but rather as an idle "diversion" for his close friends;〔McCloud, pg. 17〕 however, the story achieved widespread popularity in the United States and its original France.
Töpffer used a lithography method called autography,〔(【引用サイトリンク】title=Rodolphe Töpffer Synopsis )〕 in which the pen draws on specially prepared paper, allowing a freer line than the engraving of the time. Autography lithographs also did not require the drawings to be flipped horizontally.
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